Projects

This installation materializes the manifesto for Arts and Crafts Movement 2.0 that reimagines the 19th-century British movement for the era of digital technology and computational design, advocating for mindful art production and consumption, inviting the audience to consider what defines art and who can be defined as an artist today.

My Room is an interactive installation that creates a soft, utopian space where people can experience and appreciate the beauty of the female body without judgment. Blending physical materials and AR technology, the project reimagines body representation through warmth, intimacy, and sensory engagement, offering an alternative to societal pressures and objectification.

A Thousand Wind that Blow is a motion-based interactive animation experience. It aimed at helping people capture grief and release it through body motion.

Novah is a VR storytelling experience that explores how embodied interaction such as nodding, climbing, and gesturing can deepen user presence in VR storytelling. Players freely explore nonlinear scenes, where their bodily actions actively shape both meaning and story progression.

The Garden is an infinite story generator that introduces to the fictional experience of computational programs with patterns and constructed narratives.

I explore nature as a dynamic computational process, using generative algorithms to simulate alternative natural forms that could exist but don’t. By materializing these patterns through 3D printing and exhibiting them alongside real specimens, my work invites viewers to imagine the vast, unrealized possibilities hidden within nature’s code.

Input/Output is an algorithmic performance-installation that stages a collective conversation between participants and a language model, exploring what happens when human thought is algorithmically redistributed. By blending and fragmenting dialogue across users, the project reimagines data training, digital identities, and the origins of thoughts in the age of AI.

Blank Room is an interactive installation and time-based system that explores collective sleeplessness through a chatroom that only opens between midnight and sunrise. Combining speculative design, ambient sensing, and poetic interaction, Blank Room turns revenge bedtime procrastination into a shared ritual—and a small rebellion.

The Great Barefoot Dance is an interactive installation that reimagines a sacred Zimbabwean dance ritual using motion tracking, sound, and generative visuals. It gives participants agency within the experience, allowing them to engage with cultural symbolism through embodied movement and audiovisual response.